[back]

References—In Progress (Jan. 2002)

 

Aalst, J.A. van.  (1933) Chinese music. (China.  Imperial Maritime Customs, Special

            Series, no. 6).  Peiping: [Beijing]:  Reissued and sold by The French Bookstore.

Alexjander, S.  (1992)  DNA tunings.  Experimental Musical Instruments, VIII (2), 31-

32.

Alexjander, S. & Deamer, D.  (1999) The infrared frequencies of DNA bases: 

Science and art.   IEEE Engineering in Medicine and Biology (March/

April), pp. 74-79.

Allan, S.  (1991) The shape of the turtle; myth, art, and cosmos in early China.

            Albany:  SUNY Press.

-----.  (1997).  The way of water and sprouts of virtue.  Albany:  SUNY Press.

Ames, R.T.  (1983) The art of rulership.  Honolulu:  University of Hawaii Press.

-----.     (Ed.)  (1998).  Wandering at ease in the Zhuanzi.  (SUNY Series in Chinese

            Philosophy and Culture).  Albany:  SUNY Press.

Banta, C.  (1986) Scales and their mathematical factors.  Experimental Musical

            Instruments, I (5), pp. 12-13.

Barnes, L.L.  (1998)  The psychologizing of Chinese healing practices in the United

            States.  Culture, Medicine and Psychiatry, 22, 413-443.

Baumann, M.P.  (1999). Listening to nature, noise and music.  The World of Music,

            41(1), 97-111.

Benson, H.  (1996)  Timeless healing; the power and biology of belief.  NY:

            Scribner.

Berendt, J.-E.  (1988). The third ear; on listening to the world.  Longmead:

            Element Books.

-----.                     Nada Brahma…

BioMusic:  The music of nature and the nature of music.  Animal Welfare Institute

Quarterly, 49 (3), 3 pp.  online:www.awionline.org/pubs/Quarterly/Summer2000/Biomusic.htm)

Birch, S. and Friedman, M.  (1989)  On the development of a mathematical model for the

“Laws” of the Five Phases.  In Y. Manaka, et. al.  Chasing the Dragon’s Tail.

(q.v.).

Bohm, D.  (1995, c.1980)  Wholeness and the implicate order.  London & NY:

            Routledge.

Bruscia, K.E.  (1998).  Defining music therapy.  2nd Ed.  Gilsum, NH:  Barcelona

Publishers.

Cairns-Smith, A.G.  (1971). The life puzzle; on crystals and organisms and on the

            possibility of a crystal as an ancestor.  Toronto:  University of Toronto Press.

Callahan, P.S.  (1995) Paramagnetism; rediscovering nature’s secret force of

            Growth. Metairie, LA:  Acres.

Chan, W.T.  (1955). Historical charts of Chinese philosophy. New Haven:  Yale

            University.

------(Trans. & Comp.)  (1969) A source book in Chinese philosophy.  Princeton, NJ

            Princeton University Press.

Chao, M.P.  (1969) A guide to Chinese music.  Hong Kong:  Tai Hwa Printing

            Factory.  [Revision of The yellow bell].

-----      (1934) The yellow bell. Baldwin, MD: Barberry Hill.

Chen, KG.  (1996).  Electrical properties of meridians.  IEEE Engineering in

            Biology and Medicine, May/June, pp. 58-63.

-----.  (1996).  Applying quantum interference to EDST medicine testing.  IEEE

            Engineering in Biology and Medicine, May/June, pp. 64-66.

-----.  (1998).  Biological implication of electrical properties of acupuncture meridians.

            Proceedings of the 20th Annual International Conference of the IEEE

            EMBS, 20 (2), 1086-1087.

Cheng, S.C.T. (1991) The Tao of voice. Rochester, VT:  Destiny Books.

Chernavskii, D.S., Karp, V.P., & Rodstat I.V.  (?) On neurophysical mechanism of the

            puncture therapie.   [IEEE EMBS Proceedings?], pp. 635-637.

Chesky, K.S. and Michel, D.E.  (1996).  The music vibration table.  Medical Problems

            of Performing Artists, March, pp. 30-34.

Chia, M. (1985) Taoist ways to transform stress into vitality: the inner smile; six healing

 sounds.  Huntington, NY: Healing Tao Books.

Chuang-tzu.  (1992).  Zhuangzi speaks; the music of nature. (Adapted & Illus. By T.C.

            Chung; Trans. By B. Bruya).  Princeton, NJ:  Princeton University Press.

Chuengsatiansup, K.  (1999).  Sense, symbol, and soma; illness experience in the

            soundscape of everyday life.  Culture, Medicine and Psychiatry, 23 (3), pp. 273-

            301.

Clark, M.  (1999) Aeolian-bow kites in China.  Experimental Musical Instruments, 3,

            pp. 41-45.

-----.  (1994).  The Qing lithophones of China.  Experimental Musical Instruments, 9,

            pp. 29-35.

Cloutier, D.  (1980) Spirit spirit; shaman songs.  Providence, RI: Copper Beech Press.

Cohran, P.  (1993).  On the implications of ancient tuning methods.  Chinese

            Music, 16 (1), pp. 13-15.

Cook, P.M.  (1997) Sacred music therapy in north India.  The World of Music, 39 (1),

            pp. 61-83.

-----.  (1997).  Shaman, jhankri & nele; music healers of indigenous cultures.  Roslyn,

NY:  Ellipsis Arts.

Cook, S.  (1995).  Yue Ji:  Record of music; introduction, translation, notes and

            commentary.  Asian Music, XXVI (2), pp. 1-96.

Cousto, H. (1989) The astral octave tuning forks ™.  (D. Schroder & B. Bubser, trans.)

            Mill Valley, CA: Crystal Creations.

-----     (1988) The cosmic octave: origin of harmony. (C. Baker & J. Harrison, trans.)

            Mendocino CA: LifeRhythm.

Crowe, B.J. and Scovel, M.  (1996).  An overview of sound healing practices;

implications for the profession of music therapy.  Music Therapy

Perspectives, 14 (1), pp. 21-29.

Crum, R.  (1989).  Uncovering the tectonic engine.  Harvard Magazine, March/

            April, pp. 32-36.

Cullen, C.  (1996).  Astronomy and mathematics in ancient China:  The Zhou bi

            suan jing.  Cambridge:  Cambridge University Press.

Danielou, A.  (1999).  Introduction to the study of musical scales.  New Delhi:

            Manoharlal Pub.  [Originally published in London:  The India Society,

            1943].

David-Neel, A. and Lama Yongdan.  (1998, c1967).  The secret oral teachings in

            Tibetan Buddhist sects.  (Trans. By H.N.M Hardy).  San Francisco:

            City Light Books.

Davidsson, E.  (1998).  The Icelandic lithophone.  Experimental Musical

            Instruments, September, pp. 29-31.

Davis, T.L.  (     ).  The dualistic cosmogony of Huai-nan-tzu and its relations

            To the background of Chinese and European alchemy.  Isis, No. 70 (XXV, 2),

 pp. 327 ff.

DeCharms, R.C., Blake, D.T., and Merzenich, M.M.  (1998).  Optimizing sound

            features for cortical neurons.  Science, 280, 1439-1443.

Deng, M.D.  (1983) The wandering Taoist.  NY:  Harper & Row.

Dev, S.B., Nanda, G.S. and An, Z.  (1996) Enhancement of bleomycin cytotoxicity to

tumor cells by pulsed electric fields.  18th Annual International Conference

of the IEEE EMBS; Amsterdam, 1877-1878.

Devlin, M.  (1999) Music & healing.  Early Music America, 5 (3), 22-25.

Devyatkov, N.D., et. al.  (1995).  Electrophysical principles and clinical applications

            of millimeter waves to diagnostics and adjustment of the functional

            states of human beings.  Journal of Communications Technology and

            Electronics, 40 (16), 80-90.

DeWoskin, K.J. (1982) Song for one or two: music and the concept of art in early China.

            (Michigan Papers in Chinese Studies, no. 42).  Ann Arbor:  Center for Chinese

            Studies;  The University of Michigan.

Dorfer, L., et. al.  (1998).  5200-Year old acupuncture in central Europe.  Science,

            282, 242-243.

Dossey, L.  (1993).  Healing words; the power of prayer and the practice of

            medicine.  San Francisco:  Harper.

Fairbank, J.K. and Goldman, M.  (1998).  China; a new history.  Cambridge, MA:

            Harvard University Press.

Falkenhausen, L.von (1993) Suspended music: Chime-bells in the culture of Bronze Age

            China. Berkeley:  University of California Press.

Faurot, J.L.  (1998).  Music and nature in ancient Chinese thought.  Chinese Music,

            21(1), 6-9.

Finckh, E.  (1988)  Studies in Tibetan medicine.  Ithaca, NY:  Snow Lion Publications.

Five lost classics; Tao, Huang-Luo, and Yin-Yang in Han China.  (1977).  (Yates, R.D.S.,

Trans.)  NY:  Ballantine Books.

Forke, A.  (      ).  The cycle of the twelve animals.  Appendix II of his trans. of the Lun

Heng, pp. 479-489.

-----.  (    ) .  The theory of the five elements and the classifications based thereon. 

Appendix I of his trans. of  Lun Heng, pp. 431-478.

Franklin, E.  (1996).  Towards a new sonic consciousness—a profile of Frank Perry.

            Contemporary Music Review, 14 (1-2), 99-117.

Gaynor, M. L.  (1999).  Sounds of healing; a physician reveals the therapeutic

            Power of sound, voice, and music.  NY:  Broadway Books.

Gentile, N. and Hadidian, E.  (1999-2000).  Music & healing II—reflections and

            resources.  Early Music America, 5 (4), 26-29.

Gerber, R.  (1988, updated 1996) Vibrational medicine. Santa Fe: Bear & Co.

Ghazala, Q.R. (1998).  The sub-chant generator; circuit bending and living

            instruments.  Experimental Musical Instruments, December, 37-43.

Gilbert, E.  (1997).  Musical medicine; subliminal vibrations compose your signature

            song.  The Village Voice,42 (35), 45.

Girandot, N.J.  (1983).  Myth and meaning in early Taoism.  Berkeley:  University

            of California Press.

Godwin, J.  (1996).  Taste, snobbery and spiritual style in music.  Contemporary

            Music Review, 14 (3-4), 47-53.

Goldin, R.R.  (1999).  Rituals of the Way; the philosophy of Xunzi.  Peru, IL:

            Open Court Pub.

Goodfellow, R.  (    ).  The emperor and the lost note; a Chinese legend.  Experimental

            Musical Instruments,                        .

-----.  (1999).  Straws in the wind, or, the wind in the willows.  Experimental Musical

            Instruments, June, 72-77.

Gordon, R.  (1994-1995).  African shaman shares rituals. Body Mind Spirit, Nov.-Jan.,

35-40.

Goss, S.A., Johnston, R.L., and Dunn, F.  (1978).  Comprehensive compilation of

empirical ultrasonic properties of mammalian tissues.  Journal of the Acoustical

Society of America, 64 (2), 423-453.

-----.  (1980).  Compilation of empirical ultrasonic properties of mammalian tissues.

II.              Journal of the Acoustical Society of America, 68 (1), 93-108.

Gouk, P., Ed.  (2000).  Musical healing in cultural context.  Brookfield, VT:  Ashgate.

Gulik, R.H.van (1940) The lore of the Chinese lute.  Tokyo: Sophia University.

Guthrie, K.S., Comp. & Trans.  (1987).  Pythagorean sourcebook and library.

            Grand Rapids, MI:  Phanes Press.

Hadingham, E.  (1994).  The mummies of Xinjiang.  Reader’s Digest, August, 127-130.

Harner, M.  (     ).  Way of the shaman.

Hart, D.V.  (1969).  Bisayan Filipino and Malaysian humor pathologies; folk medicine

            and ethnohistory in Southeast Asia.  (Department of Asian Studies.  Southeast

            Asia Program.  Data Paper No. 76).  Ithaca, NY:  Cornell University. 

Hartmann, W.M.  (1996).  Pitch, periodicity, and auditory organization.  Journal of

            Acoustical Society of America, 100 (6), 3491-3502.

Harvey, J., Tucker, M., and Steer M.  (1996).  Music and inner meaning.  Contemporary

            Music Review, 14 (3-4), 9-23.

Hawkins, H.M.  (1994)  The healing power of music; the Buddha listens to the sound of

the universe.  (Unpublished M.Ac. thesis.)   [[town]]Northwest Institute of Acupuncture and Oriental Medicine.

Hayman, R.I.P.  (1993) On the way.  Musicworks, 56 (Fall), 24-27.

Ho, P.Y. and Lisowski, F.P.  (1993).  Concepts of Chinese science and traditional healing arts; a historical review.  Singapore:  World Scientific.

Hoffman, E.  (1981).  The way of splendor; Jewish mysticism and modern psychology.

            Boulder:  Shambhala.

Hofstadter, D.R.  (1999).  Godel, Escher, Bach; an eternal golden braid.  [20th Anniv.

Ed.].  NY: Basic Books.

Hongshi, M.  (      ).  Music therapy in China.  In Pratt, R.R. and Hesser, B., Eds.  Music

            therapy and music in special education; the international state of the art.  I. 

ISME Ed. #3.

Hopkin, B.  (1988).  The overtone series?; the harmonic series as a special case, and some

thoughts about instruments with inharmonic overtone spectra.  Experimental

Musical Instruments, III (6), 14-17.

Horden, P., Ed.  (2000).  Music as medicine; history of music therapy since antiquity.

            Burlington, VT:  Ashgate Publishing Co.

Hsu, E.  (1999).  The transmission of Chinese medicine.  (Cambridge studies in medical

anthropology, 7).  Cambridge:  Cambridge University Press.

Hsu, W.Y.  (1972) Origin of music in China. Los Angeles:  Wen Ying Studio.

Hu, Y.  (1993).  The three mainstays of the two-five form and the mode harmony of the

            circle of fifths.  Chinese Music, 16 (1), 6-12.

Huai-nan tzu.  Yuan tao.  Tracing Dao to its source.  (1998)  (D.C. Lau and R.T. Ames,

            Trans.).  NY:  Ballantine Books.

Huang, X.P. (1984).  Archaeology in morphomusicology, on Zeng Houyi’s bells.  Sonus,

4 (2), 1-13.

-----.  (1984).  Archaeology in morphomusicology, on Zeng Houyi’s bell, Part II.

            Sonus, 5 (1), 32-35.

Human brain contains magnetic crystals, scientist says.  (1992)  Boston Globe, 5/12, 3.

I ching.  The I ching or Book of changes; the Richard Wilhelm translation.  (1967). 

(Baynes, C.F., Trans.).  3rd Ed.  (Bollingen series XIX).  Princeton:  Princeton

University Press.

-----.  The classic of changes.  (1997).  Shaughnessy, E.L., Trans.  (Classics of Ancient

China).  NY:  Ballantine Books.

-----.  The classic Chinese oracle of change.  (1994).  Ritsmema, R. and Karcher, S.,

Trans.  Rockport, MA:  Element.

Irena, C., et. al.  (1984).  Transfer functions of acupuncture meridians.  In Signal

Processing—84.  Proceedings of the International Conference.

Ison, D.  (1999).  Imagine the sound of space.  Contract Design, 4 (8), 99-100.

Jacoby, N.  (1987).  Cosmological theories in Chinese medicine.  (Unpublished paper,

New England School of Acupuncture, Watertown MA)

James, J.  (1995, (copyright 1993).  The music of the spheres; music, science, and the

natural order of the universe.  NY:  Copernicus [Springer-Verlag].

Jeng, Y. and Hsiou, Y.F.  (1999).  Geomagnetic evidence for the time-selecting concept

of traditional Chinese health promotion.  IEEE Engineering in Medicine and

Biology, 18 (4), 94-99.

Jenny, H. (1986) Cymatics [videotape].  (J. Volk, producer).  Brookline, MA

            MACROmedia.

-----     (1974) Cymatics; wave phenomena, vibrational effects, harmonic oscillations,   

            with their structure, kinetics and dynamics.  Vol. 2.  Basel, Switzerland

            Basilius Presses.

Jian, Q.H.  (1989?).  Mukam in China and in Irak.  Chinese Music, 12 (3), 46-48, ff.

Jones, K.  (1996).  The cosmic keyboard; tuning the calendar.  Contemporary Music

            Review, 14 (1-2), 39-58.

Kaku, M.  (1995).  Hyperspace; a scientific odyssey through parallel universes, time

warps, and the tenth dimension.  NY: Anchor Books.

Kanamori, H.  (1998).  Shaking without quaking.  Science,279, 2063-64.

Kaptchuk, T.J.  (1983) The web that has no weaver.  2d Ed.  NY:  Congdon & Weed.

Kaufmann,W.  (1976) Musical references in the Chinese classics.  (Detroit monographs

            in musicology, no. 5).  Detroit:  Information Coordinators, 1976.

Keeley, J.  (1999).  Universal laws never before revealed:  Keely’s secrets;

understanding and using the science of sympathetic vibration.  Peyton, CO:  Delta

Spectrum Resarch, Vibration Research Institute and Laboratories.

Kirschvink, J.L. et. al.  (1995).  Ferromagnetism and EMF’s.  (letter)  Nature, 374, 123.

----- and Hagadorn, J.W. (?)  (2000).  A grand unified theory of biomineralization.  In

Bauerlein, Ed. (Ed.).  Biomineralization.  Weinheim:  Wiley-VCH Verlag.  (from

website).

-----, et. al.  (1992).  Magnetite biomineralization in the human brain.  Proceedings of the

National Academy of Science USA, 89, 7683-7687.

-----.  (1997).  Magnetoreception; homing in on vertebrates.  Nature, 390 (6658), 3339-

340.

Knox, R.A.  (1992).  In music, whole brain gets involved.  Boston Globe, Nov. 23, 21 &

24.

-----.  (           ).  Noted; certain music can enhance brain function.  Boston Globe,

Kryter, K.D.  (1980).  Physiological acoustics and health.  Journal of the Acoustical

Society of America, 68 (1), 10-14.

Ku, R., et. al.  (1989).  Non-invasive method of studying the effect of musical sound on

cardiovascular system.  Journal of the Acoustical Soc. Ind, XVII (3 & 4), 207-

210.

Kuriyama, S.   (1999).  The expressiveness of the body and the divergence of Greek and

Chinese medicine.  NY:  Zone Books.

Kuttner, F.A.  The archaeology of music in ancient China:  2,000 years of acoustical

            experimentation; 1400 B.C. – A.D. 750.  (1990)  NY:  Paragon House.

-----.  (1969).  The development of the concept of music in China’s early history.

            Asian Music, I (2), 12-21.

-----.  (1975).  The 749-temperament of Huai Nan Tzu (+123 B.C.)  Asian Music,

            VI (1 & 2), 88-113.

Lai, T.C. and Mok, R.  (1985, copyright 1981).  Jade flute; the story of Chinese music.

            NY: Schocken Books.

Lam, Y.L.  (1977).  A critical study of the Yang Hui Suan Fa; a thirteenth century

Chinese mathematical treatise.  [Hong Kong]:  Singapore University Press.

Lamy, J.  (1967-1969).  Acupuncture.  Phonophorese.  Technique-Clinique.  (2 Vols.).

            Paris:  Librairie Maloine.

Larco, L.  (1997).  Encounters with the Huacas; ritual dialogue, music and healing in

northern Peru.  The World of Music, 39 (1), 35-39.

Lazourka H. Sreckovic, M. and Cosic, I.  (2000).  Changes in electric resistance of

acupuncture points when stimulated by laser radiation.  Proceedings of the

International Conference on Lasers ’99.  McClean, VA:  STS Press.

Lee, F.G., et. al.  (1993).  A study on employing traditional Chinese medical knowledge

in polygraphic technology.   IEEE.

Lee, K.S. and Kim, Y.S.  (1997).  Study of the termal differences on the meridian points

used to the cold hypersensitivity.  Proceedings of the 19th International

Conference:  IEEE/EMBS 10/30-11/2/97, 634-636.

Legge, M.F.  (1999).  Music for health; the five elements tonal system.    IEEE EMB

Magazine, March/April, 80-88.

Li, S.J., et. al.  (1991).  Music and medicine in China; the effects of music electro-

acupuncture on cerebral hemiplegia.  In  (Dileo, C.M., Ed.) Applications of music

in medicine.  Silver Spring, MD:  American Music Therapy Association.

Li, W.C., et. al.  (1989).  A circuit model of acupuncture point and system model of

acupuncture point—cerebral cortex.  (IEEE) ISCAS, 2100-2103.

Liang, Y.M.  (1989).  “Yue Wu”—the ancient Chinese musical art of music and dance.

            Chinese Music, 12 (2), 35-38.

Liu, B.Q.  (1988) Optimum time for acupuncture: a collection of traditional Chinese

chronotherapeutics. (Q.L. Wang, trans.)  Jinan, China:  Shandong Science and

            Technology Press.

Lo, W.A., Tsuei, J.J. and Chen, K.G.  (1999).  Preferential direction and symmetry of

electric conduction of human meridians.  IEEE EMB Magazine, Jan./Feb., 76-78.

Loewe, M.J.  (1999) Cambridge history of ancient China; from the origins of civilization

to 221 B.C.  Cambridge: Cambridge University Press.

Lu, G.D. and Needham, J.  (     ).  Celestial lancets.

Lu shih ch’un ch’u; The annals of Lu Buwei.  (2000).  Knoblock, J. and Riegel, J.,

Trans.).  Stanford:  Stanford University Press.

Lu, W.A., Tsuei, J.J. and Chen, K.G.  (1999).  Preferential direction and symmetry of

electric conduction of human meridians.  IEEE EMB Magazine, Jan./Feb., 76-78.

Lu, W.A., Lin Wang, Y.Y, and Wang, W.K.  Pulse analysis of patients with severe liver

problems.  IEEE EMB Magazine, Jan./Feb., 73-75.

Machle, E.J.  (1993).  Nature and heaven in the Xunzi; a study of the Tian Lun.  Albany: 

SUNY Press.

Maman, F.  (1997).  Heallng with sound, color and movement; nine evolutionary healing

techniques.  (From Star to Cell; A Sound Structure for the twenty-First Century,

Book IV).  Redondo Beach, CA:  Tama-Do Press.

-----.  (1997).  Raising human frequencies; the way of chi and the subtle bodies. (From

Star to Cell, Book II).  Redondo Beach, CA:  Tama-Do Press.

-----.  (1997).  The role of music in the tweny-first century.  (From Star to Cell, Book I). 

Redondo Beach, CA:  Tama-Do Press.

-----. L (1997).  Sound and acupuncture; the body as a harp.  (From Star to Cell, Book

III).  Redondo Beach, CA:  Tama-Do Press.

Manaka, Y.; Itaya, K.; and Birch, S.  (1995).  Chasing the dragon’s tail.  Brookline, MA:

            Paradigm.

Maranto, C.D., Ed.  (1993).  Music therapy; international perspectives.  Pipersville, PA: 

Jeffrey Books.

Matsumoto, K. and Birch, S.  (1986) Extraordinary vessels.  Brookline, MA:  Paradigm

            Publications.

May, M.  (1989).   Ming men, moving qi between the kidneys and the hara; a quantum

based model.  Unpublished paper; New England School of Acupuncture.

Mayer, D.J.  (2000).  Biological mechanisms of acupuncture.  Progress in Brain

Research, 122, 457-477.

McClain, E.G.  (1994).  Musical theory and ancient cosmology.  The World and I, no. 2,

371-391.

McClellan, R.  (1988) The healing forces of music.  Amity, NY:  Amity House.

Mencius.  (1970)  The works of Mencius.  (Legge, J., Trans.)  (reprint of “The Chinese

Classics” series, vol. II.  Oxford:  Clarendon Press, 1895, 2nd rev. ed.).  NY:

Dover.

Meredith, D.  (1999).  Mind over matter; brain-wave kinetics.  Duke Magazine,

Sept./Oct., 16-20.

Meyer-Baer, K.  (1970).  Music of the spheres and the dance of death; studies in musical

iconology.  Princeton:  Princeton University Press.

Mok, R.T.  (1978).  Ancient musical instruments unearthed in 1972 from the number one

Han tomb at Ma Wang Tui, Changsha; translation and commentary of Chinese

reports.  Asian Music, X (1), 39-91.

Moore-Ede, M.C., Sulzman, F.M., and Fuller, C.A.  (1982).  The clocks that time us. 

Cambridge, MA:  Harvard University Press.

Morgan, E.  (1933).  Tao, the Great Luminant; essays from the Huai-nan-tzu.  Shanghai: 

Kelly and Walsh.  (1966 reprint.  Taipei:  Ch’eng-wen Publishing Co.)

Morton, E.S.  (1977)  On the occurrence and significance of motivation-structural rules in

some bird and mammal sounds.  The American Naturalist, 111 (981), 855-869.

Music in the age of Confucious.  (2000)  (J.F. So, ed.)  Washington, D.C.:  Smithsonian

            Institute.

MusicMedicine.  (1992).  Saint Louis:  MMB Music, Inc. [International Society for

Music in Medicine; IV International MusicMedicine Symposium, 1989;  R.

Spintge and R. Droh, Eds.]

MusicMedicine, Vol. 2.  (1996).  Saint Louis:  MMMB Music.  [International Society for

Music in Medicine; V International MusicMedicine Symposium, 1994; R.R. Pratt

and R. Spintge, Eds.]

MusicMedicine3.  (1999).  Parkville, Australia:  University of Melbourne.  [International

Society for Music in Medicine; VIIth International MusicMedicine Symposium &

24th Annual Conference of the Australian Music Therapy Association, 1998; R.R. Pratt and D.E. Grocke, Eds].

Narby, J.  (1998). The cosmic serpent; DNA and the origins of knowledge.  NY:

Tarcher.

Nasr, S.H.  (1993).  The need for a sacred science.  Albany:  SUNY Press.

Needham, J. and Lu, G.D.  (1975)  Problems of translation and modernization of ancient

Chinese technical terms.  Annals of Science, 32, 491-502.

-----   (1962) Science and civilization in China.  (Vol. 4, Pt. I, “Sound

(Acoustics)”).  Cambridge:  Cambridge University Press.

-----.  Scc article on magnets in physics section, pp. 235-36.

-----   (2000)  Science and civilization in China.  (Vol. 6, Pt. VI, “Medicine”, Nathan

            Sivin, ed.).  Cambridge:  Cambridge University Press.

Neuenfeldt, K.  (1998).  Good vibrations?  The “Curious” cases of the didjeridu in

spectacle and therapy in Australia.  the world of music, 40(2), 29-51.

Omura, Y.  (1982).  Acupuncture medicine; its historical and clinical background. 

Tokyo:  Japan Publications.

Oohashi, T., et. al.  (2000).  Inaudible high-frequency sounds affect brain activity;

hypersonic effect.  Journal of Neurophysiology,  83 (6), 3548-3558.

Oyle, I.  (1979) The healing mind. Berkeley:  Celestial Arts.

-----.  (1976).  Time, space and the mind.  Berkeley:  Celestial Arts.

Pai wen p’ien; or, the hundred questions.  (1976)  (Homann?, R., Trans.).  (Religious

texts translation series NISABA, Vol. 4).  Leiden:  Brill.

Pian, R.C., et. Al.  (1980) “China.”  In Sadie, S. (Ed.,), The new Grove dictionary of

            Music and musicians.  (Vol. 4, pp. 245-279).  London:  Macmillan.

Quin, D.  (1997).  Antarctica; austral soundscapes.  Musicworks, 69 (December), 32-37.

Reigle, R.  (1997).  Cosmological correlations in Chinese music; the source of Japanese

musical symbolism.  Part I.  Chinese Music, 20 (3):  58-60.

-----.  (1997).  Part II.  Chinese Music, 20(4), 72-76. 

Rider, M.  (1997).  The rhythmic language of health and disease.  Saint Louis, MMB

Music.

Robertson, P.  (1996).  Music as a model of the human psyche.  Contemporary Music

            Review, 14 (1-2), 11-37.

Rosemont, H. Ed.  (1984).  Explorations in early Chinese cosmology.  (JAAR Thematic

Studies 50/2).  Chico, CA:  Scholars Press.

Rossing, T.D.  (1997).  Unwanted and wanted sound.  Nature, 388, 628.

-----, et. al.  (1988).  Vibrational modes of Chinese two-tone bells.  Journal of the

Acoustical Society of America, 83 (1), 369-373.

Ruland, H.  (1992).  Expanding tonal awareness; a musical exploration of the evolution

of consciousness guided by the monochord.  London: Rudolf Steiner Press.

The sacred books of the East, translated by various Oriental scholars.  (1891).  (Muller,

F.M., Ed.).  Oxford:  Oxford University Press.

Schafer, R.M.  (1977, 1994).  The soundscape; our sonic environment and the tuning of

the world.  Rochester, VT:  Destiny Books.

Schick, R.  (1984).  Phonophorese; akupunktur mit tonwellen.  Essen:  Verlag fur

Ganzheitmedizin.

Schneck, D.J. and Schneck, J.K., Eds. (1997).  Music in human adaptation.  Blacksburg,

VA:  Virginia Polytechnic Institute and State University.

Schonberger, M.  (1992).  The I ching and the genetic code.  Santa Fe:  Aurora Pr.

Schryer, C.  (1998).  Searching for the Sharawadji Effect; electroacoustics and ecology. 

            Musicworks, 70 (Spring), 22-29.

Schullian, D.M. and Schoen, M. Eds. (1948).  Music and medicine.  NY:  H. Schuman.

Scigliano, E.  (2000).  A bank with a lot more to offer than talented trumpeters.  New

            York Times, December 16.

Seki, H.  (1983).  Influence of music on memory and education, and the application of its

underlying principles to acupuncture.  International Journal of Acupuncture &

Electro-therapeutics Research, 8, 1-16.

Sethares, B. and Staley, T.  (1992).  The sound of crystals.  Experimental Musical

            Instruments, VIII (2), 28-29.

Shaughnessy, E.L.  (1997).  Before Confucious; studies in the creation of the Chinese

            classics.  Albany:  SUNY.

Shen, S.Y.  (1986).  The acoustics of the Bian-Zhong bell chimes of China.  Part I. 

            Chinese Music, 9 (3), 53-57.

-----.  (1986).  Part II.  Chinese Music, 9(4), 73-78.

-----.  (1987).  Part III.  Chinese Music, 10 (1), 10-19.

-----.  (1991).  Chinese music and orchestration; a primer on principles and practice.

            Chicago:  Chinese Music Society of North America.

-----.  (1989).  Twenty-bell chimes discovered in Shaanxi.  Chinese Music, 12 (4), 78.

-----.  (1989).  Zenghou Yi and I.  Chinese Music, 12 (3), 43-45.

Shima, M.  Medical I Ching; oracle of the healer within.

Shuyi, D., et. al.  (1998).  Researching situation on mm-wave bank Jingluo effects.

            Prec. Of the 20th Ann. Conf. Of the IEEE Engineering in Medicine and Biology

            Society, 20 (2), 1088-89.

Shyr, Y.K.  (1990).  On the musical aesthetics of pre-Qin China.  Part I.  Chinese

            Music, 13 (4), 64-66.

-----.  (1991).  Part II.  Chinese Music, 14(1), 7-11.

-----.  (1991).  Part III.  Chinese Music, 14 (2), 37-39.

Slanger, T.G.  (     ).  Evidence for a short-period internal clock in humans.  J of

            Scientific Exploration, 2 (2), article 5  [have abstract, looking for article]

Soulie de Morant, G.  (1994). Chinese acupuncture.  (L. Grinnel, et. al., trans)

            Brookline, MA:  Paradigm Publications.

The sound spectrum.  (1989).  Experimental Musical Instruments, IV (5), 11-14.

Sources of Chinese tradition; Vol. I:  from earliest times to 1600.  (1999). (2nd Ed.

            (de Bary, W.T. and Bloom, I.).  NY:  Columbia University Press.

Su wen. [The Yellow Emperor’s classic of medicine].  (1995) (M. Ni, trans.)

            Boston:  Shambhala Publications.

Sud, N., Nawa, K. and Fukao, Y.  (1998).  Earth’s background free oscillations.

            Science, 279, 2089-91.

Summer, L.  (1996). Music; the new age elixir.  Amherst, NY:  Prometheus Books.

Sun, P.S.; et. al.  (1988).  [The study on conduction of acoustic information along

            meridians.]  Chen Tzu Yen Chiu, 13 (2), 139-43.

Swetz, F.J. and Kao, T.I.  (1977).  Was Pythagoras Chinese?  An examination of

            right triangle theory in ancient China. University Park:  Pennsylvania State

            University Press.  [Includes trans. of Chiu chang suan shu; Kouku, ch.9]

Tame, D.  (1984) The secret power of music.  Rochester, VT:  Destiny Books.

Taylor, D.B.  (1997).  Biomedical foundations of music as Therapy.  Saint Louis:

            MMB Music, Inc.

Tekeoglu, I.  (1995).  Introduction of a new therapy method; music sound

electroacupuncture stimulation.  Acupuncture in Medicine, 13 (2), 71-73.

Temple, R.  (1986) The genius of China:  3,000 years of science, discovery, and

 invention.  New York:  Simon and Schuster.

Tenny, J.  (1995).  Citation for Udo Kasemets.  Musicworks, 62 (Spring), 6-21.

            [contemporary application of  I ching and music]

Texts of Taoism.  (1962).  James Legge, Trans.  NY:  Dover.  [Reprint of The sacred

            books of the East.  Oxford:  Oxford University Press, 1891.]

Thaut, M.H.; et. al.  (1999).  The connection between rhythmicity and brain function. 

IEEE EMB Magazine, Mar./Apr., 101-108.

Thrasher, A.R.  (1981).  The sociology of Chinese music.  Asian Music, XII (2), 17-53.

Thrasher, M.  (1999).  Deeper into fleshtone; sound energy within the human body. 

            Experimental Musical Instruments, March, 51-56.

-----.  (1998).  Deus ex machina; fleshtone and the Godbox project.  Experimental

            Musical Instruments, September, 7-11.

Tomatis, A.  (1997).  The ear and language.          ?:   Stoddart Pub.

Tomkins, S.  (1996).  The interaction of musical sound waves and meridian energy; a

pilot study in the development of an integrated systems model for the treatment of

psychogenic stress disorders.  Doctoral dissertation, University of Massachusetts Amherst, 1996.

Tong, K.W.  (1983).  Shang musical instruments, Pt. 1 & 2, chs. 1-4.  Asian Music, XIV

(2), 17-182.

-----.  (1984).  Pt. 2, ch. 5 –6.  Asian Music, XV (1), 102-143.

-----.  (1984).  Pt. 3, ch. 7.  Asian Music, 15 (2), 67-143.

Tramo, M.J. (2001).  Music of the hemispheres.  Science, 291, 54-56.

Tsuei, J.J.  (1998).  A modern interpretation of acupuncture and the meridian system. 

Proceedings of the 2nd International Conference on Bioelectromagnetism,

February 1998, Melbourne, Australia.

-----.  (1996).  The science of acupuncture; theory and practice.  I:  Introduction.  IEEE

            EMB Magazine, 5 & 6, 52-57.

-----, Lam, FMK; and Chou, P.  (1996).  Clinical applications of the EDST.  IEEE EMB

Magazine, 5 & 6, 67-75.

Tucker, M.  (1996).  The body electric; the shamanic spirit in twentieth century music.

            Contemporary Music Review, 14 (1), 67-97.

Tuzin, D.  (     ).  Miraculous voices; the auditory experience of numinous objects. 

            Current Anthropology, 25 (5), 579-596.

Ultrasound clot buster.  (2000).  Popular Mechanics, November, 28.

Unschuld, P.  (1985) Medicine in China:  A history of ideas.  Berkeley:  University

            of California Press.

Vitality, energy, spirit; a Taoist sourcebook.  (1991)  (Cleary, T., Trans. & Ed.).  Boston:

            Shambhala.

Wang, A.  (2000).  Cosmology and political culture in early China.  Cambridge:

            Cambridge University Press.

Wang, Z.  (1996).  The Marquis Yi of Zeng stand of bells.  Sonus, 17 (1), ???

Waters, R.  (1998).  Bamboo and music, Pt. 1.  Experimental Musical Instruments,

            December, 33-36.

-----.  (1999).  Pt. 2.  Experimental Musical Instruments, March, 59-63.

Watson, L.  (1990).  The nature of things; the secret life of inanimate objects.

            London:  Hodder & Staughton.

Watsuji, T., et. al.  (1999).  Medical application of fuzzy theory to the diagnostic system

of tongue inspection in traditional Chinese medicine.  1999 IEEE International

Fuzzy Systems Conference Proceedings, August 22-25, 1999, Seoul, Korea.

Weiming, T.  (1998).  The continuity of being; Chinese visions of nature.  In M.E. Tucker

and Berthrong, J., Eds.  Confucianism and ecology; the interrelation of heaven,

earth, and humans.  (Series:  Religions of the World and Ecology). Cambridge, MA:  Harvard University Center for the Study of World Religions.

Weng, C.S.  (2000).  [Acoustic signal processing for Chinese meridian system.]  Chung-

hua I hsueh kung ch’eng shueh k’an [Chinese Journal of Medicine and Biological

Engineering], 20(1), 43-51.

-----, et. al.  (1998).  [A study of acoustical method in traditional Chinese medicine for

the upper GI disorder patients].  Chung-hua I shueh kung ch’eng shueh k’an

[Chinese Journal of Medical and Biological Engineering], Dec., ????

Whole-body vibration within specified frequency range may provide pain relief.  (1996). 

Oncology News International, 5 (Suppl.), 10.??

Wigram, A.L.  (??).  The effects of vibroacoustic therapy on clinical and non-clinical

population.  (doctoral thesis, on the web: wysiwyg://97/http://members.tripod.com/…)

Wigram, T. and DiLeo, C., Eds.  (1997).  Music vibration and health.  Cherry Hill, NJ:

            Jeffrey Books.

Wilcox, H.  (1992).  Generating fibonacci sequences of pitch classes.  SONUS, 12 (2),

44-47.

Wilhelm, R.  (1979).  Lectures on the I ching; constancy and change.  (Bollingen Series,

XIX:2).  Eber, I, Trans.  Princeton:  Princeton University Press.

Wilkinson, E.  (2000).  Chinese history; a manual.  Revised and enlarged.  (Harvard-

Yenching Institute Monograph Series; 52).  Cambridge, MA:  Harvard-Yenching

Institute.

Wilson, E.O.  (1998).  Consilience; the unity of knowledge.  NY:  Knopf.

Wong, I.K.F.  (1986) “East Asia.”  In The new Harvard dictionary of music.  Cambridge,

            MA:  Harvard University Press.

Wu, L.C. and Davis, T.L.  (??)  An ancient Chinese treatise on alchemy entitled Ts’an

T’ung Ch’I  [by Wei, Po Yang, c. 142 C.E.].  Isis, 53 (XVIII, 2), 210 ff.

Wulstan, D.  (1971).  The earliest musical notation.  Music and Letters, 52 (4), ??.

Yan, J.F. (1991).  DNA and the I Ching; the Tao of life.  Berkeley:  North Atlantic Books.

Yang, H.  (1994).  The elemental changes [T’ai hsuan ching].  M. Nylan, Trans.

            Albany:  SUNY.

Young, E.D.  (1998).  What is the best sound?  Science, 280, 1402-03.

Young, G.  (1999).  Sensing energy at another level.  Musicworks, 74 (Summer), 14-20.

Zagorski, M.  (1993).  Sonic weaponry.  Musicworks, 55 (Spring), 12-23.

Zhang, H.Y. and Miao, H. S.  (1993).  Music therapy in China.  In C. Dileo-Maranto. 

            Music therapy; international perspectives.  Cherry Hill, NJ:  Jeffrey Books.

-----, and Rose, K.  (1999).  Who can ride the dragon?  An exploration of the cultural

roots of traditional Chinese medicine.  Brookline, MA:  Paradigm Publications.

Zhang, L., et. al.  (1995).  On rule checking and learning in an acupuncture diagnosis

fuzzy expert system by genetic algorithm.  IEEE.

Zhejiang youth reproduces bone flute of Hemudu.  Chinese Music, 10 (1), 19.

Zhou, J.  (1993).  Dunhuang ancient instruments concert.  Chinese Music, 16 (3), 44-45.

Zhu, Z.X., et. al.  (1988).  [Preliminary report on approaches of the essences of meridian

sound].  Chen Tzu Yen Chiu,  13 (3), 260-1.

 

[back]